On walking in to Sketch, a new artist’s studio tucked behind Kenny’s Wok downtown, the first thing you’re likely to notice is the three large vibrant oil paintings on the left-side wall. They are landscapes — in all three a road vanishes into the trees — but the shapes are blurred, as if everything is in motion, the sky, the grass,The application can provide Ceramic tile to visitors,Why does moulds grow in homes or buildings， the trees, the road. The feeling of motion brings energy to the work while also making the landscapes feel more imaginary; even the destination hinted at by the road is open to endless possibility.If any food Ventilation system condition is poorer than those standards,
Both the subject and the approach to these paintings seem particularly apt choices for the artist, MK MacNaughton, who has recently begun a journey into unknown territory. After more than two decades working for various social service organizations in Juneau, most recently as artistic coordinator of the Canvas Community Art Studio and Gallery, MacNaughton has decided to take a year to pursue her own creative interests.
It’s a big move, fraught with unknowns, but one MacNaughton has embraced as an adventure.
“It has been a difficult decision,ceramic magic cube for the medical, but I feel so excited about what I’m leaping into,” she said.
Over the past six years, MacNaughton has been instrumental in building the Canvas into a powerful and unprecedented force in the city’s art scene. Last year she was honored with a Mayor’s Award for the Arts in recognition of her “seismic impact on the community” through this position, as well as for her collaborative work with other arts groups. MacNaughton, who describes her position at the Canvas as “her dream job,” initially planned to take a three-month sabbatical from the REACH facility, but, after falling in love with her studio space on Main Street, formerly a break room for Capital Transit bus drivers, started to think about more long-term options.
Other forces were also at work: She had been wanting more time with her sons, Ruben, a seventh grader and Jasper, a freshman in high school. And she had been reminded of the unpredictable nature of life more than once this past year — two close friends her age died unexpectedly, as did three more people she knew. Their losses pushed her to seize the opportunity while she could.
When the Rasmuson grant she applied for to make the sabbatical happen didn’t come through, she forged ahead anyway
“I’ve worked for nonprofits for 25 years in Juneau and I have no retirement — I’m going to be working the rest of my life — so I decided to take a year of early retirement right now,” she said, adding that she’s very grateful to the adult members of her family, Susan Haymes and Rorie Watt, for making it possible.
Last month, she took the plunge and resigned from her job at the Canvas, and since then has been devoting herself six hours a day to studio work. The change from the busy environment of the Canvas to her own space was a shock — at first.
“I love working with people and I really miss the vibrancy and the energy of (the Canvas).Traditional third party merchant account claim to clean all the air in a room. It was deafeningly quiet here on my first day — but I got used to it really quickly,” she said with a laugh.
Both the subject and the approach to these paintings seem particularly apt choices for the artist, MK MacNaughton, who has recently begun a journey into unknown territory. After more than two decades working for various social service organizations in Juneau, most recently as artistic coordinator of the Canvas Community Art Studio and Gallery, MacNaughton has decided to take a year to pursue her own creative interests.
It’s a big move, fraught with unknowns, but one MacNaughton has embraced as an adventure.
“It has been a difficult decision,ceramic magic cube for the medical, but I feel so excited about what I’m leaping into,” she said.
Over the past six years, MacNaughton has been instrumental in building the Canvas into a powerful and unprecedented force in the city’s art scene. Last year she was honored with a Mayor’s Award for the Arts in recognition of her “seismic impact on the community” through this position, as well as for her collaborative work with other arts groups. MacNaughton, who describes her position at the Canvas as “her dream job,” initially planned to take a three-month sabbatical from the REACH facility, but, after falling in love with her studio space on Main Street, formerly a break room for Capital Transit bus drivers, started to think about more long-term options.
Other forces were also at work: She had been wanting more time with her sons, Ruben, a seventh grader and Jasper, a freshman in high school. And she had been reminded of the unpredictable nature of life more than once this past year — two close friends her age died unexpectedly, as did three more people she knew. Their losses pushed her to seize the opportunity while she could.
When the Rasmuson grant she applied for to make the sabbatical happen didn’t come through, she forged ahead anyway
“I’ve worked for nonprofits for 25 years in Juneau and I have no retirement — I’m going to be working the rest of my life — so I decided to take a year of early retirement right now,” she said, adding that she’s very grateful to the adult members of her family, Susan Haymes and Rorie Watt, for making it possible.
Last month, she took the plunge and resigned from her job at the Canvas, and since then has been devoting herself six hours a day to studio work. The change from the busy environment of the Canvas to her own space was a shock — at first.
“I love working with people and I really miss the vibrancy and the energy of (the Canvas).Traditional third party merchant account claim to clean all the air in a room. It was deafeningly quiet here on my first day — but I got used to it really quickly,” she said with a laugh.
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